Friday, March 15, 2013

China Shipping

 At last, at last, the next installment of Container Ships: China Shipping!


The inspiration is the green, usually in various stages of rust, of the China Shipping containers I see in nearly every container ship photo and shipyard. I chose the colors of Bugga! for China Shipping when I was at The Verdant Gryphon open house, knowing that they would be a China Shipping-based project, but not knowing what the project would be.

Here are some of the inspiration photos, which both fascinate and frighten me. Global trade can be scary, for the environment, for labor, for the economy. However, there's something magical about huge amounts of cargo circling the globe toward their ultimate destinations.




What better place to take photos than my new neighborhood in Baltimore?


If you're part of the Container Ships club, you've already received the pattern. If you're not, you can join and receive China Shipping and the previous three Container Ships patterns, as well as future patterns (I'm currently at work on an accessory) for $13:



The individual pdf for China Shipping is now available through The Verdant Gryphon. It will be available as a pdf on Ravelry in a month. Because the colors I used are not standard Verdant Gryphon colors, you can special order them through Monday! AND you get 5% off when you order three or more skeins of Bugga! in ANY colors (think of the possibilities for this cardigan!).

The colors are:
A: Canada Darner
B: Owl Moth
C: Blue Duke

See them here.

Now it's time to DYE SOME YARN AT VERDANT GRYPHON!

Tuesday, March 12, 2013

The Sermon: Mystery KAL Complete!


Here's the finished product from my very first knitalong, The Sermon, a collaboration with Neighborhood Fiber Co. 


Very long, very black. My Sermon was worked in the Cool Blacks colorway, which best suited my theme. You can see photos of other colorways on Ravelry.

The pattern is now available as an 18-page pdf containing all six sections. Each section has its own quotes, theme, and design, thanks to my sister's graphic design talent and Matt Kish's drawings. I even included some of my photographs from 1996, when I was an art major working with a large-format camera and manipulating negatives.


Thanks to everyone who participated in this knitalong. I was certain that everything about the idea was unmarketable, but I learned not to underestimate knitters' curiosity and adventure.



Monday, March 4, 2013

Contest winner and my new neighborhood!

Congrats to Robyn! You have won a copy of Woodsmoke & Ash! Send your address to Andrea at andrea@andreaknits.com!

In other news, we are less than a month away from closing on a HOUSE in Baltimore. Life is changing so quickly these days; lately it seems that when I'm not working I'm handling some huge life decision. Routine tasks punctuated by first-ever decisions! Deleting commas, gathering paperwork for final mortgage approval! Editing questions about homeowners insurance, getting proof of homeowners insurance!

Our new house in is the Penn North neighborhood. The other day I walked from our current apartment through Penn North to go to the Target at Mondawmin. I got some great photos.

A few blocks down on North Avenue (check out how bowed that building is!):


North Avenue, around the corner from our street:


In the next block of North Avenue, there's been some awesome rehabbing:


A tavern/package store in Druid Heights, south of Penn North, with owners that are really serious. I loitered only briefly to get the photo:

 
Our street is better maintained. Here it is!
 

And here's our HOUSE!

 
Inside photos coming soon! I love Baltimore!!! 


Wednesday, February 27, 2013

Andrea Rangel: Woodsmoke & Ash

I first met designer Andrea Rangel in Seattle last fall. I already knew her work, of course: She's the designer of The Dude, the originally Big Lebowski-inspired sweater that really ties the room together. She's also designed knit pants, which she was wearing as leggings under a skirt when I met her.
 
When we met, Andrea was talking about her upcoming collection of patterns for men, called Woodsmoke & Ash, and I somehow convinced her that publishing a print book in addition to an ebook and individual patterns was a great idea. (Andrea, please forgive me if it was not a great idea.)
 
Now, with the copy I ordered sitting next to me (I LOVE PRINT BOOKS), I have the honor of hosting Andrea on her blog tour! My favorite design in the book is Plantago, a front-zip cardigan-jacket with a collar to die for, so I've asked her some questions about the collection in general and Plantago in particular.

 
Can you give me some background info about Plantago?

This sweater was designed for my husband. Most of my samples live in plastic, but this one is actually his sweater. He's had it for over a year now and wears it on his outdoor adventures pretty regularly when it's chilly out, and he still loves it. He's really particular about these things, so it's satisfying to me that he's happy with it. I like it too, so I'm working on one for myself. I actually had yarn left over from the first one, so I just bought a few more skeins to make it enough to make my own. So, we're going to be really matchy-matchy, but we're just nerds enough to handle that.
 
[Ann's note: Wow, so your sweaters will be in the same color. It's a bold choice. Also, I was happy to see you wearing the samples from The Lenke Collection when we met and know that they get out of the plastic one in a while! They're great in the photos, but SO much greater in person.]


 
When I saw this jacket, I wanted it for myself! Do you have any suggestions for modifying it to fit a woman?

Yes! I'm working on one for myself, so let me share some thoughts about modifying it for women and how I plan to modify it for myself.

 
Usually there are a few key differences between sweaters designed for men and those designed for women. 
 
The first is shaping. In order to have an attractive fit, a lot of women's sweaters include waist shaping. However, unless you are very curvy (that is, there's a big difference between your waist circumference and that of your hips and/or bust), I don't actually think you'll need to add shaping to this sweater.  Because it's worked all in 1x1 ribbing, the sweater stretches beautifully to fit lots of shapes. 

If you do want to add shaping, I suggest just measuring the length from your hips (where you want the hem to fall) and the smallest part of your waist. Cast on for the size based on your bust circumference and work a decrease or two before you reach that measurement.  Since the gauge is pretty huge (14 sts/15 rows = 4 in/10 cm in 1x1 rib), you won't need very many decreases to create shaping.  Once the sweater has reached the length of the smallest part of your waist, work a few increases before you reach the armholes to get the same number of stitches that was originally cast on. Be sure to maintain the ribbing pattern as much as possible during shaping. (The sleeve instructions include increasing in pattern, so reading those instructions might be helpful.)

The second difference is sleeve length. I've found that I really like how the size extra small fits me (though it isn't with negative ease, but actually about 5.75 in/14.5 cm of ease - my bust circumference is 31 in/79 cm), except that the sleeves are much too long. On my own sweater, I'll work the sleeves to about 17.5 in/44.5 cm instead of the suggested 20 in/51 cm. Since the sleeve shaping isn't spread out over the whole length of the sleeve, but finishes about two-thirds of the way up, it's easy to work all the shaping and then just stop when I've reached the length I want.

 
[Ann's note: If I ignore the ridiculous sleeves, this sample looks really good on you.]
 
The third difference is yoke depth. Usually women's raglan yoke sweaters have a shallower yoke depth than the same chest/bust circumference sweater would have on a man's sweater. For example, a sweater with a chest circumference of 36.75 on a woman's sweater might have a yoke depth of 8.5 or 9 in (these are just examples; depth can vary widely depending on desired fit). Plantago calls for a depth of 10.25 in for a sweater of the same chest circumference. Like I said, I actually really like the way the extra small size fits me, so I don't plan to make any changes in yoke depth, but if I wanted a more fitted armhole, I would work a few more every-row decreases than the pattern calls for in order to reach the end of the yoke in fewer rows. Keep in mind that shortening your yoke will also shorten your sleeve, so plan sleeve length accordingly.
 
Who is that amazing-looking model?

That model is Rick. He worked with my husband in Seattle, and was kind enough to model for me twice (see Scherer). He was a great sport getting up early and driving with us from Seattle until we saw snow. He makes a great woodsman, right? That's one fine beard.
 
[Ann's note: Yes, indeed. He's perfect.]
 
 

Any tips for setting in a zipper? Men love zippers, and so do I, but I’m insecure about putting them in knitwear.

Zippers are extremely wearable, but they can be a bit finicky to sew in. Here are some thoughts on making your zipper experience more positive.

1. It's important to block the sweater and wait till it's completely dry before measuring for zipper length, as a washing can definitely change the overall length a bit.  I actually ordered a custom zipper (waterproof from Zippersource.com) and when it arrived, it was too long. I'd measured while my sweater was still wet (I needed that zipper before the photo shoot!), and it shrunk up by at least an inch after it was actually dry.  So, through some kind of engineering magic that I was barely a part of (thank you to my fella for that one!), we shortened it and it all worked out. 
 
[Ann's note: I've found that guys are more motivated to help when the garment is for them.]

Ysolda Teague, in her book Little Red in the City, recommends measuring the sweater on a model or mannequin to get the most accurate measurement.
 
2. Zippersource is a great resource, but it can take time to source a custom zipper since the sweater is extra-long, so be sure to give yourself enough time if you're making it for a gift or with any kind of deadline. 

3. Baste the fronts of your sweater together before you do anything else. I recently found this tutorial on using blocking wires to stabilize the whole thing and I think I'll try that when I sew the zipper in my own sweater. It seems like a great idea.
 
Make sure that everything lines up perfectly, then turn the sweater inside out. Pin the zipper to the wrong side of the sweater, making sure that the back of the zipper is facing you and the front of the zipper is facing the fabric. Then baste the zipper in. After basting, you can remove the pins. Turn it back right side out, remove the basting thread keeping the fronts of your sweater together, and separate the zipper, which will make sewing easier, especially with this fairly hefty garment. I did this all by hand and haven't tried it on a sewing machine, so I don't have recommendations for that, but if you're sewing by hand, be sure to backstitch in the middle of the zipper as well as whip stitching along the edge to keep it firmly in place. When you're done, remove your basting thread.

A few tutorials on putting zippers in hand knits can be found here:
 
http://pickinandthrowin.blogspot.ca/2007/02/sewing-zipper-into-cardigan.html

http://www.purlbee.com/zipper-tutorial/


Thanks, Andrea!

Now here's the exciting part: You can win a copy of Woodsmoke & Ash by commenting on this post!


All comments are welcome, but I would particularly appreciate suggestions for superbulky yarns I could use for my Plantago. The original uses Brown Sheep Burly Spun, which is a perfect outdoor man yarn, but I want something a little softer and, if possible, from an indie dyer. Any thoughts? I'm leaning toward a really dark, murky color of Malabrigo Rasta.

Congrats to Andrea on a HUGE accomplishment!

Friday, February 8, 2013

Hello Charm City!

I live in BALTIMORE now! In a small, cheap, cold apartment, the ceiling of which is higher than any of the rooms are wide. It's like a little cube where I work all day at a cluttered table, our only real piece of furniture! Hooray! The rest of my life will arrive when I have a HOUSE!

I've been working far more than full time as a copyeditor and project manager for the past few months, while packing and storing and moving, but I've found a few minutes to knit, including this new pullover design for Our Back 40:


I wanted to do something very simple but not boring. Something natural that I would actually wear.


I would wear this all the time. For now, you can get the pattern as part of a kit from Our Back 40. If you can afford it, this yarn is magic. Go for it. The company's values and mission are aligned with my own, so it was an honor to work with them. However, if this is outside your budget, I'll be publishing the pattern separately (I'm not sure how soon, but stay tuned).

If there's anyone still reading, thanks for your patience. I'm back! And I'll be a vendor at Stitches West in a few weeks. I hope to see some of you there and get my knitting energy back after a few really draining months.







Wednesday, December 19, 2012

Festive Panic

Countdown to Baltimore: T-minus 3 weeks. We have acquired an apartment, sight unseen. No living out of our car for us, no sir!

In the meantime, INSANITY!

This year we have eschewed our usual Christmas tree for a makeshift holiday shrine:


Under that shrine there are now a few very small presents. Anything Chris and I give or receive has to be packed and moved, so present choices were based on size.

Before the move, I'll be visiting my family in Michigan and having some knitting events at my hometown yarn store, Country Needleworks. I'll be signing books on Friday, December 28, from 10 am to 2 pm, and will be teaching on January 2. I'll have White Whale Vol. II, Cityscapes, individual Container Ships patterns, and samples from all these publications. In addition, Country Needleworks will be carrying the Neighborhood Fiber Co. kits for The Sermon (the only store to have them!). Come check out the colors in person before you make your selection!

Amid all this, I've found time to knit someone else's design: Syrinx Shells by Alicia Landi. The pattern is for a cowl that uses one skein of bulky yarn, but I've turned it into a long, cozy scarf.


When I saw Jeremie, one of the students in my most recent triangle shawl class, wearing one, I had to have it. The pattern is so much cooler than most bulky stuff out there. Also: I LOVE KNITTING THINGS I AM NOT DESIGNING! I knit this in a few hours of television watching, so there's plenty of time to crank out a few in time for the holidays!

Now, back to work, packing, knitting, writing.

Sunday, December 16, 2012

Surprise destash!

For your consideration:



The last of this destash, Reynolds Whiskey! This is the yarn to make the smallest size of this cardigan. Obviously you can use it for whatever you like. I love the cardigan, but I'm not a tweed person.

$30 plus $8 shipping.

Interested? Email me at weaverknits77@gmail.com. Make an offer! I'll be out for the afternoon, but will get back to everyone this evening!